Theodore Stebbins

Theodore E. Stebbins Jr. is an American art historian, museum curator, university professor, and writer.

Stebbins is the Curator of American Art at Harvard University's Fogg Art Museum. For 22 years, from 1977 to 1999, he was the John Moors Cabot Curator of American Paintings at the Museum of Fine Arts in Boston. During his tenure, he organized nineteen exhibitions ranging from John Singleton Copley in the 18th century to The Lane Collection and its important holdings of modern art. As curator, he guided the museum's acquisition of over three hundred paintings, from 17th century limners to Jackson Pollock and Andy Warhol. Previously, he was an associate professor of art history and curator of American painting and sculpture at Yale University.At Yale, he built the collection of 19th century American landscape and still life painting; his major purchase was Frederic E. Church's great Mount Ktaadn of 1853.[1]

Complementing his career as a curator and as an academic, he serves on the Board of Directors and the Art Advisory Council of the International Foundation for Art Research (IFAR).[2] He also serves as a trustee of the Heinz Family Foundation, Pittsburgh, Pa. He has served as advisor to the Henry Luce Foundation, the Whitney Museum of American Art, the San Francisco Art Museums, the Cleveland Museum of Art, the James McGlothlin Collection, and many other individuals, museums, and foundations. He was advisor to the Kingdom of Spain when it acquired the Thyssen-Bornemisza Collection of American Art.

Education

Stebbins holds a law degree as well as a master’s and a doctorate.[3] His article on "The Problem of Tort Libabilty for the Art Expert" has been reproduced in numerous casebooks and for many years remained a standard reference.

Career

Stebbins has was a teacher at Smith College, and Boston University.[4] He is widely known as the leading authority on the paintings of Martin Johnson Heade. Althought how indepth his study and understanding of Heade paintings is unknown. Is Mr. Stebbins the only authorized professor who can authenticate of Martin J. Heade's paintings? It is bewildering how he can say a painting is not a Martin Heade without looking at the painting.

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